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John Constable (1776 1837) is arguably one of England s best loved artists; his fame and popularity are rivalled only by those of his great contemporary, J M W Turner. Turner, his reputation rests on a handful of very well known paintings, usually Suffolk scenes such as Flatford Mill or Hay-Wain. Many of the magisterial productions of his last years, including Hadleigh Castle and The Opening of the Waterloo Bridge, are a far cry from the Suffolk scenes, whilst his accomplishments in the difficult and competitive genre of marine painting have been consistently undervalued. Barry Venning s introduction presents Constable s background, his family life, his education and the early friendships from which he drew patronage, support and advice. Barry Venning discusses the artist s relationship with the great tradition of European landscape painting and examines the historical and cultural context within which Constable lived and worked.